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''KOYAANISQATSI'' is a cunning, naive, chic, exasperating, sometimes very aesthetical movie that, if it were letter a book, would face great on A coffee table. The film is AN 87-minute essay stylish images and complete on the land of American civilisation. As non-narrative films go, it is remarkably seductive, only so are the color photographs fashionable National Geographic.
Table of contents
- Koyaanisqatsi essay in 2021
- Koyaanisqatsi soundtrack review
- Koyaanisqatsi discussion
- Cine experimental koyaanisqatsi 1982
- Koyaanisqatsi
- Koyaanisqatsi review
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- Koyaanisqatsi essay 08
Koyaanisqatsi essay in 2021
Koyaanisqatsi soundtrack review
Koyaanisqatsi discussion
Cine experimental koyaanisqatsi 1982
Koyaanisqatsi
Koyaanisqatsi review
Koyaanisqatsi challenger
Koyaanisqatsi essay 08
What was the New York Times review of Koyaanisqatsi?
The New York Times, in its original 1982 review, was somewhat ambivalent about the film: "Koyaanisqatsi is an oddball and – if one is willing to put up with a certain amount of solemn picturesqueness – entertaining trip."
How did Koyaanisqatsi make a mood bomb?
Koyaanisqatsi's formula is simple: combine the epic, remarkable cinematography of Ron Fricke with the swelling intensity and repeating motifs of Philip Glass's celebrated original score. There's your mood bomb, right there. But Reggio's directorial vision is key, too.
Who is the director of the movie Koyaanisqatsi?
And then it climaxes perfectly with archive footage of a Nasa test rocket exploding during takeoff in 1962, with the camera tracking the final flaming piece of debris as it falls back to earth. Koyaanisqatsi (1982) directed by Godfrey Reggio with music by Philip Glass.
Last Update: Oct 2021